Sabtu, 26 Oktober 2013

[L240.Ebook] Download PDF Signature Series: Advanced Microsoft Word 2013: Desktop Publishing, by Joanne Alford, Joanne Marschke Arford

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Paradigm's Signature Series: Advanced Microsoft Word 2013: Desktop Publishing text offers comprehensive instruction and practice with illustrated step-by-step instructions in advanced Word 2013 techniques. This text provides opportunities for students to use critical thinking decision making creativity and collaborative learning as they plan design and evaluate a variety of business and personal publication formats.Comprehensive exercises with illustrated step-by-step instructions allow students to grasp techniques easily.Full-size replicas of the completed documents for in-chapter exercises help students visualize the expected results.Design concepts such as focus balance directional flow contrast proportion and consistency are reinforced throughout.Unit assessments reinforce writing and problem-solving skills within the context of Word documents.Group projects promote collaborative problem-solving and critical thinking.Plus instruction on creating web pages PowerPoint presentations and Publisher documents included.

  • Sales Rank: #547007 in Books
  • Published on: 2014-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x .90" w x 8.40" l, .0 pounds
  • Binding: Paperback
  • 658 pages

About the Author
Joanne Arford, a graduate of Western Michigan University, is currently an adjunct faculty member at the College of DuPage in Illinois. She has written several editions of the Advanced Word Desktop Publishing textbook. Audrey Roggenkamp has been teaching courses in the Business Information Technology department at Pierce College in Puyallup, including keyboarding, skill building, and Microsoft Office programs. In addition to this textbook, Ms. Roggenkamp has authored and co-authored many computer application textbooks for Paradigm Publishing including Marquee Series 2013, 2010, 2007, and 2003, Signature Series 2013, 2010, 2007, and 2003, Using Computers in the Medical Office: Microsoft Word, Excel, and PowerPoint 2010, 2007 and 2003, and Computer and Internet Essentials: Preparing for IC3. Ian Rutkosky teaches Business Technology courses at Pierce College in Puyallup. In addition to this textbook, he has co-authored many Computer and Internet Essentials: Preparing for IC3, Marquee Series: Microsoft Office 2013, and Using Computers in the Medical Office: Microsoft Word, Excel, and PowerPoint 2010. He is also a co-author and consultant for Paradigm's SNAP training and assessment software.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Good content; poor cover/binding for a textbook!
By J. Cipale
I wish it had the coil-type binding instead of the paperback cover. The book is heavy & book would not stay open to pages being studied. Book cover is now heavily creased.

Content is pretty good. The Key Points Review at the end of every chapter is somewhat beneficial if you REALLY have to know the "names" of terms. I just wish the term definitions were better matched to those in the review. Did not use the CD in class so I cannot say whether or not the material is relevant.

2 of 2 people found the following review helpful.
Good content but very heavy book!
By Marilyn Lane
Would have preferred the coil binding of past editions; coil binding allows book to lay flat. VERY heavy book due to type of paper used. Could have had similar results with lighter paper.

Content is good.

1 of 1 people found the following review helpful.
Three Stars
By ashley robinson
was used more then what the description said and the cover had been ripped and retaped. overall ok

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Jumat, 25 Oktober 2013

[N142.Ebook] Fee Download Feminist Theory: From Margin to Center, by bell hooks

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Feminist Theory: From Margin to Center, by bell hooks

When Feminist Theory: From Margin to Center was first published in 1984, it was welcomed and praised by feminist thinkers who wanted a new vision. Even so, individual readers frequently found the theory "unsettling" or "provocative." Today, the blueprint for feminist movement presented in the book remains as provocative and relevant as ever. Written in hooks's characteristic direct style, Feminist Theory embodies the hope that feminists can find a common language to spread the word and create a mass, global feminist movement.

  • Sales Rank: #138580 in Books
  • Published on: 2014-10-03
  • Original language: English
  • Number of items: 1
  • Dimensions: .60" h x 5.40" w x 8.40" l, .0 pounds
  • Binding: Paperback
  • 198 pages

Review

Praise for the book:

"Feminist Theory: From Margin to Center is an important book. It is a readable, comprehensive, analytical critique of American feminist theory which should be widely used in women’s studies courses and read by both scholars and activists." ―Patricia Bell-Scott, The Women’s Review of Books (1985)

About the Author

A cultural critic, an intellectual, and a feminist writer, bell hooks is best known for classic books including Ain’t I a Woman, Bone Black, All About Love, Rock My Soul, Belonging, We Real Cool, Where We Stand, Teaching to Transgress, Teaching Community, Outlaw Culture, and Reel to Real. hooks is Distinguished Professor in Residence in Appalachian Studies at Berea College, and resides in her home state of Kentucky.

Most helpful customer reviews

1 of 1 people found the following review helpful.
A PROPOSAL TO “BROADEN” FEMINIST THEORY, TO INCLUDE THE “MARGINS”…
By Steven H Propp
bell hooks (all lower-case letters; born Gloria Jean Watkins in 1952) is an American author, feminist, and social activist. She has written many books, such as Outlaw Culture: Resisting Representations, Killing Rage: Ending Racism, and many more.

She wrote in the Acknowledgements section of this 1984 book, “During much of the writing of Ain't I a Woman: Black Women and Feminism, I worked in isolation. It was my hope that the publication of this work would draw me closer to feminist activists, especially black women. Ironically, some of the most outspoken black women active in [the] feminist movement responded by trashing both it and me… I was totally unprepared for the hostility and contempt show me by women whom I did not and do not see as enemies… Unfortunately it is often easier to ignore, dismiss, reject, and even hurt one another rather than engage in constructive confrontation. Were it not for the overwhelmingly positive responses to the book from black women… I might have become terribly disheartened and disillusioned… Such encouragement renews my commitment to feminist politics and strengthens my conviction that the value of feminist writing must be determined by … the extent to which it draws women and men who are outside feminist struggle inside.”

She explains in the Preface, “Much feminist theory emerges from privileged women who live at the center, whose perspectives on reality rarely include knowledge and awareness of the lives of women and men who live in the margin. As a consequence, feminist theory lacks wholeness… At its most visionary, it will emerge from individuals who have knowledge of both margin and center… It is the absence of feminist theory that addresses margin and center that has led me to write this book… Throughout the work my thoughts have been shaped by the conviction that feminism must become a mass based political movement if it is to have a revolutionary, transformative impact on society.”

She begins the first chapter with a critique of Betty Friedan’s The Feminine Mystique: “She did not discuss who would be called in to take care of the children and maintain the home if more women like herself were freed from their house labor and give equal access with white men to the professions. She did not speak of the needs of women without men, without children, without homes. She ignored the existence of all non-white women and poor white women… She made her plight and the plight of white women like herself synonymous with a condition affecting all American women. In so doing, she deflected attention away from her classism, her racism, her sexist attitudes towards the masses of American women… Specific problems and dilemmas of leisure class white housewives … were not the pressing political concerns of masses of women. Masses of women were concerned about economic survival, ethnic and racial discrimination, etc. … [her book] can also be seen as a case study of narcissism, insensitivity, sentimentality, and self-indulgence…” (Pg. 1-3)

She points out, “One factor that makes interaction between multi-ethnic groups of women difficult and sometimes impossible is our failure to recognize that a behavior pattern in one culture may be unacceptable in another, that it may have different signification cross-culturally. Through repeated teaching of a course titled ‘Third World Women in the United States,’ I have learned the importance of learning what we called one another’s cultural codes… By learning one another’s cultural codes and respecting our differences, we felt a sense of community, of Sisterhood. Respecting diversity does not mean uniformity or sameness.” (Pg. 56-57)

She observes, “Women’s liberationists not only equated psychological pain with material deprivation to de-emphasize class privilege; they often suggested it was the more severe problem. They managed to overlook the fact that many women suffer both psychologically and materially and for that reason alone changing their social status merited greater attention than careerism… Had poor women set the agenda for [the] feminist movement, they might have decided that class struggle would be a central feminist issue; that poor and privileged women would work to understand class structure and the way it pits women against one another.” (Pg. 60-61)

She asserts, “Bourgeois white women cannot conceptualize the bonds that develop between women and men in liberation struggle and have not had as many positive experiences working with men politically… Despite the prevalence of sexism in black communities, the role black women play in social institutions… is recognized by everyone as significant and valuable… Without the material input of black women, as participants and leaders, many male-dominated institutions in black communities would cease to exist; this is not the case in all white communities.” (Pg. 69-70)

She argues, “Often women of color active in feminist movement are anti-intellectual. Many of us have not had access to university educations and do not hold advanced degrees. We may equate white female hegemonic dominance of feminist theory and practice with educational status. We may not attack that hegemony (which stems from class and race hierarchies) but instead ‘put down’ intellectual work. By dismissing theory and privileging organization work, some women of color are able to see themselves as more politically engaged where it really counts. Yet by buying into this dichotomy between theory and practice, we… support the notion (too often fostered by white women) that their role is to do the ‘brain’ work, developing ideas, theories, etc., while our role is to do either the ‘dirty’ work or contribute the experience to validate and document their analysis. Women of color need to develop intellectually.” (Pg. 113-114)

She notes, “Feminist thinkers… believed that assertion of the primacy of sexuality would be a liberatory gesture. They urged women to initiate sexual advances, to enjoy sex, to experiment with new relationships, to be sexually ‘free.’ Yet most women did not have the leisure, the mobility, the contacts, or even the desire to indulge in this so called ‘sexual liberation.’ Young heterosexual women, single and childless, teenagers and college students, political progressives, were the groups most eager and able to pattern their sexual behavior after what was essentially an inversion of the male notion of sexual liberation… it did not, however, deconstruct the power relations between men and women in the sexual sphere.” (Pg. 147)

Not quite as acerbic as her earlier book ‘Ain’t I a Woman,’ this book is a thought-provoking contribution to feminist theory, that will be of great interest to feminists, or those interested in womanism, Women’s Studies, Black Studies, or similar “progressive” areas.

2 of 3 people found the following review helpful.
Five Stars
By KV
A beautiful, important, revolutionary work.

2 of 3 people found the following review helpful.
Five Stars
By Reader_22
Great book about feminist theory.

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Senin, 21 Oktober 2013

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Researching her family tree brings Moirag McLellan to the Highlands and a foreboding castle-turned-hotel. She goes to sleep alone surrounded by modern amenities, but awakens in a room lit only by candles—and occupied by a gorgeous kilted man. And he's far too real to be just an erotic dream…

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  • Sales Rank: #805721 in eBooks
  • Published on: 2013-04-01
  • Released on: 2013-04-01
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Four Stars
By Julie
quick read (short story) it was an ok story it kept my attention, just very short.

0 of 1 people found the following review helpful.
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By Kindle Customer
This is a 2 hour read, quick and fun. Hot and Fast. No building of plot her folks. Just go to bed at a Scottish B & B with visions of Great Gran's mutterings of castles and destinies to come... and wake up in the darkness of the 1700's with a hot and injured Scottish warrior in your bedroom, claiming it is his. Fortunately, he believes her tale of time travel and with memories of his mother's Fae tales and conjurings in his memory, Gavin comes up with a spell to tie them to one another when she travels back to 2013.

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This novella was descriptive, humorous, and real enough that the plot and various dilemmas were entertaining. Cute! Would definitely read more of this author.

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In an age when scientists say they can no longer specify the exact difference between human and animal, living and dead, many contemporary artists have chosen to use animals in their work -- as the ultimate "other," as metaphor, as reflection. The attempt to discover what is animal, not surprisingly, leads to a greater understanding of what it means to be human. In Becoming Animal, 12 internationally known artists investigate the shifting boundaries between animal and human. Their explorations may be a barometer of things to come.The works included in Becoming Animal -- which accompanies an exhibit at MASS MoCA -- range from the aviary and cabinet of curiosities of Mark Dion to the gun-toting bird collages of Michael Oatman. Nicolas Lampert's machine-animal collages and Jane Alexander's corpse-like humanoids suggest a new landscape of alienation. Rachel Berwick's investigation of the last Galapagos tortoise from the island of Pinto and Brian Conley's humanized mating call of the Tungara frog question the divide between human and animal communication. Patricia Piccinini imagines a bodyguard for a bird on the edge of extinction and Ann-Sofi Siden recreates the bedroom -- and paranoia -- of psychologist Alice Fabian. Natalie Jeremijenko presents another installment in her ongoing Ooz, reverse-engineering the zoo, and Kathy High's installation of "trans-animals" remembers lab rats who have given their lives for science. Sam Easterson's videos allow us to see from the viewpoint of an aardvark, a tarantula, a tumbleweed; Motohiko Odani's films show a surrealistic genetically modified bestiary. Becoming Animal documents these works with eye-popping full-color images, taking us on a visual journey through an unknown world.

  • Sales Rank: #748397 in Books
  • Published on: 2005-06-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .75" w x 10.00" l, 2.29 pounds
  • Binding: Hardcover
  • 140 pages

About the Author
Nato Thompson is Chief Curator at the New York--based public arts institution Creative Time. He edited The Interventionists: Users' Manual for the Creative Disruption of Everyday Life and Becoming Animal (both published by the MIT Press) and curated the MASS MoCA exhibitions they accompanied.

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0 of 0 people found the following review helpful.
entertaining and engaging nature
By Christopher Sullivan
Becoming Animal: Contemporary Art in the Animal Kingdom, is a catalogue featuring contemporary artists who participated in an exhibition held at Massachusetts Museum of Contemporary Art. The artists in question all deal with issues regarding the relationship between humans and animals, through media including installation and performance.
This book has been one of my favourite artist reference books ever since I serendipitously stumbled across it in my University library. It is a beautifully laid out book, with clear full-colour photos of the spotlighted artists' works. The book also contains informative and interesting interviews with the artists.
The book has aided me greatly in the past for research purposes; I am currently studying art at University and much of my work revolves around an interest in human/animal behaviour. I now own my own copy of the book to use as reference for a dissertation that I am currently writing.
Becoming Animal has introduced me to an array of artists that I hadn't heard of but have since been greatly inspired by. In particular, the haunting works of Jane Alexander and the playful nature of Kathy High struck a chord with me. I also enjoyed the reference to Joseph Beuys' work “How to Explain Pictures to a Dead Hare”, a bizarre but brilliant performance by one of my all-time favourite artists.
This book has taken pride of place on my bookshelf due to its entertaining and engaging nature. As well as being highly useful academically, it is also nice to just sit with it and look at the pictures.

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Kamis, 10 Oktober 2013

[O717.Ebook] Download PDF Schoolgirls, Money and Rebellion in Japan (Nissan Institute/Routledge Japanese Studies), by Sharon Kinsella

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Japanese society in the 1990s and 2000s produced a range of complicated material about sexualized schoolgirls, and few topics have caught the imagination of western observers so powerfully. While young Japanese girls had previously been portrayed as demure and obedient, in training to become the obedient wife and prudent mother, in recent years less than demure young women have become central to urban mythology and the content of culture. The cultic fascination with the figure of a deviant school girl, which has some of its earliest roots in the nineteenth and early twentieth centuries, likewise re-emerged and proliferated in fascinating and timely ways in the 1990s and 2000s.

Through exploring the history and politics underlying the cult of girls in contemporary Japanese media and culture, this book presents a striking picture of contemporary Japanese society from the 1990s to the start of the 2010s. At its core is an in-depth case study of the media delight and panic surrounding delinquent prostitute schoolgirls. Sharon Kinsella traces this social panic back to male anxieties relating to gender equality and female emancipation in Japan. In each chapter in turn, the book reveals the conflicted, nostalgic, pornographic, and at times distinctly racialized manner, in which largely male sentiments about this transformation of gender relations have been expressed. The book simultaneously explores the stylistic and flamboyant manner in which young women have reacted to the weight of an obsessive and accusatory male media gaze.

Covering the often controversial subjects of compensated dating (enjo kôsai), the role of porn and lifestyle magazines, the historical sources and politicized social meanings of the schoolgirl, and the racialization of fashionable girls, Schoolgirls, Money, Rebellion in Japan will be invaluable to students and scholars of Japanese culture and society, sociology, anthropology, gender and women's studies.

  • Sales Rank: #554783 in Books
  • Published on: 2013-11-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.00" w x 1.00" l, .85 pounds
  • Binding: Paperback
  • 256 pages

Review

"This well-researched and well-written text examines a demographic group that is at the core of Japan's popular culture. Summing Up: Recommended." - Y. Kiuchi, Michigan State University in CHOICE

"While the work incorporates previously published research, the text has solid threads woven throughout the chapters and many recursive arguments that are progressively refined. This is not just a collection of papers and it really shows that much care has been devoted to editing, updating and expanding. This is the work of a scholar at the height of her abilities, who manages to uphold academic accuracy and build a very distinctive critical voice.[…]I would advise anyone already familiar with Kinsella’s work to purchase this book, and for those not familiar with her work, I could not think of a better gateway into her production. This truly constitutes a milestone for future research, and it will be a valuable addition to the reading list of many courses." - Artur Lozano-Méndez, LSE Review of Books

"Schoolgirls, Money and Rebellion provides important contextualization and analysis of the wide range of talk about girls, both concerned and celebratory, in the late 1990s and early 2000s, wherein national (male) anxieties were writ on the body of the schoolgirl. Through its sociological analysis of discourse about schoolgirls, this book is sure to be an important resource for future scholarship on youth trouble and girls in the media at the turn of the millennium." - Jennifer Prough, Valparaiso University, Journal of Japanese Studies

About the Author
Sharon Kinsella is Lecturer in Japanese Studies at the University of Manchester, UK.

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Sabtu, 05 Oktober 2013

[Y182.Ebook] Download Ebook Assassin's Creed - Desmond, by Eric Corbeyran

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Assassin's Creed - Desmond, by Eric Corbeyran

This first volume of the French comic trilogy from Ubisoft, tells the story of Desmond Miles' abduction by Abstergo and their plans to rip the blood-steeped memories of Desmond's ancestors from his genetic code. Add to the mix the mysterious and violently terrified Subject 16 and a desperate flight from Abstergo, and this makes for a fast-paced and thrilling addition to the game's universe.

  • Sales Rank: #881313 in Books
  • Brand: Titan Books
  • Published on: 2012-10-30
  • Released on: 2012-10-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.15" h x .37" w x 7.34" l, .76 pounds
  • Binding: Hardcover
  • 48 pages

About the Author
For more than twenty years Eric Corbeyran has written successful bande dessinée scripts. Boundless curiosity and fascination for varied art-forms have led him to explore a multitude of stories with a deft and dramatic touch.

Having developed many successful projects with Eric Corbeyran, Djillali Defali now turns his dramatic and realistic style to the detailed authenticity of the world of Assassin's Creed.

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0 of 0 people found the following review helpful.
"Nothing is true. Everything is permitted."
By BlueStar
Assassin’s Creed Volume 1: Desmond is the first of six books to be published for this story. This first book, made by Titan Books, covers the first issue of the story following Desmond’s initial capture and work with his ancestor Altair as well as Aquilus of the Roman Empire. This book makes an effort to try to explain why Abstergo has Demond and what they’re doing with him but having played the game gives you a much better insight. Eric Corbeyran made a valiant attempt at staying true to the story but some of it has been changed slightly. Not enough to completely throw off the story but it’s not identical to the games. Otherwise, we get a peek at Subject 16 and Aquilus but I’m guessing we’ll see more of them in the following books.

This edition is an oversized hardcover with no dustjacket. It has been translated from the original French language it was published in and the translation is perfect. You can’t even tell it was originally another language like is common with some mangas. The book is quite short at only 48 pages given the $10 price tag but it’s worth picking up if you can find it cheaper. This is the first part of the first chapter (3 issues) and there is a second chapter that is another 3 issues as well. Definitely something to get if you’re a fan of the game.

5 of 6 people found the following review helpful.
Not Bad On It's Own
By R. Hoch
I like the art and the story is decent, but I don't like the differences from the games. Ubisoft has done a good job in ensuring very close continuity between it's various mediums. This is the first time I've seen major issues with it where some stuff just flat out contradicts what happened in the games.

The flashback story is good though and poses no problems with continuity. So read it for that and take the future events with Desmond and everyone with a grain of salt. It's not a must read by any stretch, but worth it for big fans. The presentation (hardcover, nice glossy pages) is also done very well.

(I gave the same review for all 3 volumes as the same applies to all of them)

0 of 0 people found the following review helpful.
Nice Art
By Yarrow10
I have bought and read all three in this series, and I have played all the video games.
I really enjoyed the artwork and the introduction of new characters. But even with all of that I still find the stories a bit hard to follow.

Overall these books are a fun piece of AC lore for any fan of the games!

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Rabu, 02 Oktober 2013

[C878.Ebook] PDF Download Understanding Business Strategy: Concepts Plus with Additional Cases, 3rd Edition, by R. Duane Ireland, Robert E. Hoskisson, Michael A. Hi

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Understanding Business Strategy: Concepts Plus with Additional Cases, 3rd Edition, by R. Duane Ireland, Robert E. Hoskisson, Michael A. Hi

  • Sales Rank: #6117893 in Books
  • Published on: 2012
  • Number of items: 1
  • Binding: Loose Leaf

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0 of 0 people found the following review helpful.
good book, great condition
By Gabriella Fazio
good book ,great condition ,came on time with no problems

1 of 1 people found the following review helpful.
Amazing Book.
By I. Goel
This book was just what I needed...Amazing book with concepts made simple and practical & real-life examples of corporate strategy

0 of 0 people found the following review helpful.
The book is very easy to read
By Amazon Customer
The book is very easy to read, noticeably easy to understand, and all in all, a great purchase for anyone who is looking for a warm-up book for the ins and outs of the business world, or more simply, would like a refresher and handy reference for terms and concepts he or she may already be comfortable with.

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